WARNING: Spoilers Ahead
Conflict theory applies to wizards.
In Harry Potter, J.K. Rowling’s iconic seven-part fantasy series, the titular character studies at an English boarding school for wizards called Hogwarts School of Witchcraft and Wizardry, where he learns the magic he needs to navigate the wizarding world and defeat the evil Lord Voldemort. Bernard Mayer’s Wheel of Conflict and Resolution, which contains the five themes of communication (culture), emotions (power), structure (personality), history (data) and values, is reflected in the relationships between the characters in Harry Potter.
While the wizarding world and its characters are fictional, there are many lessons that can be gleaned from this series. The conflict and friction between “good” and “evil” bubbles to the point of a war in the seventh novel. Mayer’s Wheel of Conflict applies to the conflict. The overarching themes of culture, power, personality and data will be looked at to see how they play a role in explaining how the conflict grew into a war, and what could have been done differently to avoid this outcome.
Lord Voldemort is the villain in the novel and his main tactics of rising to power are to kill or intimidate others. Albus Dumbledore is the headmaster of Hogwarts School of Witchcraft and Wizardry and, along with Harry, Dumbledore is also the hero. Both Lord Voldemort and Dumbledore are said to be the most powerful wizards of all time, but each uses their power for different purposes.
Mayer bluntly says: “We are imperfect communicators.” Nothing more could be true in the entire Harry Potter series. Communication falls squarely under Culture as this is a factor that directly affects communication.
An aspect of communication that directly impacts Harry’s ability to resolve conflict is his own personality and biases. Notably, there is conflict between Harry and Severus Snape, who is a professor at Hogwarts and head of Slytherin. Slytherin is the house at Hogwarts for those who are Dark Arts followers. Voldemort was in Slytherin. Snape was a Death Eater and had the Dark Mark on his forearm, but he has claimed to repent.
As Mayer says, “we frequently rely on inaccurate or incomplete perceptions, form stereotypes, and carry into our communication conclusions drawn from former interactions or experiences.” Snape spies on Voldemort and pretends to be a Death Eater, and as he becomes more entrenched in the Dark Arts, it becomes questionable which side he is on. When Snape kills Dumbledore, it is implied that Snape is on Voldemort’s side.
However, as revealed at the end of the seventh book, Snape is good. Dumbledore is dying and he asks Snape to kill him so Snape can become Voldemort’s right-hand man and continue spying on Voldemort. This shocking twist shows the importance of communication and the issue of stereotypes. Overall, it is crucial that individuals overcome the culture barriers that lead to communication issues. We seldom blame our own communication shortcomings as a contributing factor of the ensuing conflict.
As Mayer says, “emotions are the energy that fuels conflict.” The handling of emotions in a conflict can be tricky, as Mayer cautions against people venting their emotions. Instead, he states that the wisest course is to contain emotions until there is a safe time for them to be vented. In fact, this may be the key to resolving conflict. When Hogwarts is being run by the Ministry leader, Professor Umbridge, who refuses to teach Defence against the Dark Arts despite the rise of Voldemort, Harry first openly questions Umbridge’s authority. The intense feelings of hatred Harry felt toward Umbridge and the emotional turmoil of being called a crazy liar could have led him to spin out of control.
Rather, Harry follows Mayer’s approach and lets his emotions out in “safe increments” by starting Dumbledore’s Army. This is a group he leads which teaches some students Defence against the Dark Arts in a safe space (in the Room of Requirement). This knowledge was key to Harry and his friends winning a battle against the Death Eaters at the end of fifth book.